Cross-pollinating creativity in art, science, culture & technology

Te Taiao Māori, 2011, Dr Te Huirangi Waikerepuru, (Iwi – Tribes: Taranaki, Whānui, Nga Puhi, Taitokerau), Mātauranga Maori

Te Kore – Street of Breaths, 2011, Sophie Jerram and Dugal McKinnon, Audio and sound system

Mauri Wai Mauri Ora, 2011, Jo Tito (Iwi – Tribes: Taranaki, Ngāti Pikiao, Tūhourangi-Ngāti Wāhiao), Taranaki stone & acrylic paint

Jo Tito Is a Māori artist, passionate about sharing the importance of connection and helping people reconnect to who they are.

A self-taught photographer, she is also a multi-media artist who combines storytelling, nature and technology to share her messages. Working at the grass roots level of community through health and education initiatives, has enabled her to use art as a tool for change and to see the positive affects that connection and storytelling can have on a community.

The work for ISEA presents a “mauri” stone and explores a Māori concept of “energy” or “mauri” bringing the physical stone as an art work into the space. The stone carries the energy of the land from which it comes, and the many stories and energies that have been gathered prior to it’s journey to ISEA. The stone also incorporates all the works that are presented in this exhibition.

The rock has been formed by water and shares stories of connection to who we are; wai being the Māori word for water and also used when one asks,  ”ko wai au – who am I?” With the understanding of water as being part of who we are, we can perhaps better understand our connection to the environment and the importance of water as an essential element to the survival of our planet and people.

Jo Tito CV and bio

Jo Is a 37 year old creative entrepreneur and artist who is passionate about art and bringing about change in the world. An innate connection to the land and environment inspires her creativity and the stories she tells through her work. She has been a photographer for the past 16 years and is also a multi-media artist working in painting, sculpture and digital storytelling. She also has a background in health and education and has worked at the grass roots level of community using art as a tool for change.

Connections and relationships are important to her and are at the heart of everything she does. Over the past 10 years, she has have had the privilege of working with some of the most talented artists from around the world through overseas travel, exhibitions, festivals and gatherings.

RECENT EXHIBITIONS

2011 Floating Land and Dreaming Festival – Artist in residence with international artists – Brisbane, Australia

Documentary of stories for Puke Ariki Museum exhibition – What If?, Taranaki

He Iwi Karioi exhibition currently showing at Tairawhiti museum – moving image installation, Gisborne

SCANZ 2011: Eco sapiens art residency, Taranaki

2010 Nga Manukura Maori midwives photographic project – photography and creation of digital stories for Auckland District Health Board

Co-director, Photographer & Editor for A Fire Burning a feature documentary by Flair Films

2009 Director of documentary – Iwirakau at the Tairawhiti Museum, Gisborne

Dreaming Festival, Brisbane Australia – indigenous artists research

2008 Aotearoa delegation to the 10th International Festival of Pacific Arts, Pagopago- America Samoa for digital storytelling & photography

Creation of digital stories for Nga Rama e Whitu exhibition, Gisborne

Travel to the Dreaming festival, Brisbane Australia – indigenous artists research

Sponsored trip to Indonesia by EngageMedia Australia for a gathering of software developers and video activists conference

2007 Author, researcher and editor of Matarakau – healing stories of Taranaki

Solo exhibition at the Thinkspace Gallery in Downtown Phoenix, Arizona USA

Digital storytelling workshop at Scotsdale Community College Arizona USA

Invited artist to the Gisborne Garden Artfest 2007, Gisborne

2006 Curator, storyteller & photographer of Wahine exhibition a b & w photographic exhibition by eight Maori women living in Taranaki at Nga Manu Korero – Opunake, Taranaki; Patea, Taranaki; and Hauiti marae Tolaga Bay, East Coast

Parihaka International Peace festival – exhibitor

Invited artist to the Gisborne Garden Artfest 2006

Ono Pacific Arts festival – invited artist for an exhibition of paper works with Sheynne Tuffery, Christchurch art section

Sept Selected artist for Rotorua artists exhibition at the Rotorua Museum

July Nga Manukura exhibition, Rotorua – exhibitor

July “He Puna Korero” Taranaki arts festival – emerging Maori artists exhibition

Computational Visualization of the Electromagnetic Sensory World of Sharks, 2008, Michael G. Paulin, Computational physics simulation with 3D visualization

One strand of my current research is about how the shark’s electrosensory system evolved, from simple(r) creatures that drifted with the ocean currents, gathering small amounts of information that enabled them to alter the probability of where they ended up, to sophisticated creatures extracting every bit of information from every available channel in the environment and picking a path through it. Seems to me there’s a story there, about art and science and storytelling as ways of seeing and navigating.

One Man is an Island, 2009, Rachael Rakena (Iwi – Ngai Tahu, Nga Puhi), High definition video, courtesy of Bartley and Company Art, Wellington

Kāinga a roto Home within, 2010 Sonja van Kerkhoff, Sen McGlinn and Toroa Pohatu, Installation with five monitors, video and audio

Artist statement

A system, even an integrated system, is not a seamless continuum: what makes it a system is that it consists of distinct interrelated parts. A culture – a symbol system – is one integrated system. The human person too is an integrated system (memory, hopes, relationships, reason and spirituality), and so is an individual biography. A person, seen as a system, is the microcosm to the natural world’s macrocosm, which contains elemental systems – of water, wind and earth, and of the biosphere.

Kāinga a roto (Home Within) is an art-system, consisting of five distinct videos, soundscapes, music, lighting and shadows, and a physical space where visitors sit or lie close to the ground. This art-system is used to represent the complex system of a particular biography influenced by New Zealand Colonial and Māori cultural values.

psworld 2010/11, Julian Oliver, Software and hardware

psworld is work of ‘philosoftware’. It began as a modification of the utility, ‘ps’, found on all UNIX and UNIX-like operating systems. ps is used by people and programs to quickly sort and print a table of processes that are running on a computer. psworld maps these processes onto visual features in the world, creating a perceptual dependence between a computer and the world around it. As the computer’s visible surroundings change, the instability of the operating system increases.

An example: a computer running psworld is in a park watching a bird in a tree. If the process ‘Firefox’ is attached to the bird’s head and the bird suddenly flies away, Firefox will be terminated on the computer. Similarly, a breakfast scene may include many processes attached to various edibles on the table. As breakfast is eaten, dependent processes on the computer will be terminated.

Please see the artist’s site for the full description of this project.

Julian Oliver CV and bio

Julian Oliver is a New Zealand artist based in Berlin. He has been active in the critical intersection of art and technology since 1998. His projects and the occassional paper have been presented at many museums, international electronic-art events and conferences, including the Tate Modern, Transmediale, Ars Electronica and the Japan Media Arts Festival. His work has received several awards, ranging from technical excellence to artistic invention and interaction design.

Julian has given numerous workshops and master classes in software art, augmented reality, creative hacking, data forensics, object-oriented programming for artists, virtual architecture, artistic game-development, information visualisation, UNIX/Linux and open source development practices worldwide. He is a long-time advocate of the use of free software in artistic production, distribution and education.

Recent Awards

2011                   Excellence Prize (Art category), Japan Media Art Festival

2010                  Award of Distinction (Hybrid Arts category), Prix Ars Electronica

Third Prize, Fundacion Telefonica, VIDA 13.0 Art and Artifical Life awards.

First Prize, Jeux Vidéo et Attractions, Laval Virtual.

2008                  Technical Innovation award, Indiecade

The New Zealand Open Source Award

Honorary Mention (Interactive Arts category), Prix Ars Electronica

Jury Reccommended Work (Entertainment Division), Japan Media Arts Festival

2004                  Honorary Mention, Transmediale

Recent exhibitions, talks, workshops

2010                  Improved Reality lecture, Stedelijk Museum, Amsterdam.

psworld at ‘moddr_*’, iMAL, Brussels (curated by moddr_).

ioq3aPaint at ‘Virtual Rebellion’, KOP, Breda, Netherlands.

The Artvertiser, Beeldfestival (augmented street exhibition and talk), Rotterdam

Improved Reality lecture, Migrating Art Academies conference, C.H.B, Berlin.

The Artvertiser, Media Facades Festival Europe 2010 (workshop and augmented

street exhibition), Brussels

The Artvertiser, ‘Stadt am Rande’, Goethe Institut, Beijing

levelHead at The Lighthouse, Brighton

levelHead at Space Invaders, Netherlands Institut voor Mediakunst, Amsterdam

M.I.G at Worm Space, MuseumsQuartier, Vienna

‘Improved Reality’ paper and presentation, TEDx, Rotterdam

‘The Great Augmented Goldrush’: a Reality-check for Artists’. Presentation, V2, Rotterdam

ioq3aPaint at 26th edition of ‘Art Amsterdam’, Amsterdam

Six Composite Acts, MMX Gallery, Berlin

The Artvertiser (at the Murcia stand), ARCO, Madrid

The New Arena Paintings (solo show), Hannah Maclure Centre, Dundee, Scotland

The Artvertiser at Transmediale 2010, Berlin

‘The Not So Brief History of Sound Based Games’, artist talk, A-MAZE Festival, Berlin

2009                  levelHead at Space Invaders, FACT, Liverpool, U.K

levelHead at Over The Game, Zemos98, Seville, Spain

The Atocha 24 Insertions, HAMBRE (group show) Madrid

levelHead at TWEAKFEST, Zurich, Switzerland

levelHead, Award and exhibition, LAVAL VIRTUAL, Laval, France.

levelHead at Art Rock festival, St Brieuc, France

The Artvertiser workshop, Cartagena, Spain

Composite City, Paper presentation, See Festival, Wiesbaden, Germany

levelHead at Mois Multi, Quebec City, Canada.

levelHead at the Japan Media Art Festival, National Art Center, Tokyo, Japan

levelHead at the Ars Electronica Center, Linz, Austria (opening exhibition ofnew center).

Information Comes from the Sun 2011, Julian Priest, Solar powered monitor, Video animation, Media player, Photovoltaic cells

Open System Closed 2011, Julian Priest, Assemblage (nine underwater camera cases, found objects)

Whanaunga 2011, Lisa Reihana (artist) and James Pinker (sound), Digital Video