Curated by Ian Clothier, the works in SCANZ 2013 3rd nature exhibition spiral from the Puke Ariki Museum gallery Te Takapou Whāriki o Taranaki (The Sacred Woven Mat of Taranaki) out onto level 2 and around the natural history and geology galleries, down the stairs on to the landing and beyond into Pukekura Park botanic garden.
Intercreate.org projects and exhibitions
This page has introductory information about Intercreate.org projects, which include our biennial project SCANZ, exhibitions in Albuquerque, Istanbul, Rio and in Aotearoa New Zealand.
We are currently working on exhibition projects for Sydney, Albuquerque and Taos and Nga Motu New Plymouth. SCANZ 2015 will be themed Wai (water) and Peace, two significant issues facing humanity.
SCANZ 2013: 3rd nature exhibition
3rd nature at Puke Ariki integrated museum and library. To see works in the 3rd natureshow, click the image above.
Wai (for ISEA 2012 Albuquerque)
Water is essential for life, sacred to many indigenous peoples worldwide and endemic to natural processes. This project connects Maori cosmology, notions of integrated systems, Western art and science in order to reinvigorate our understanding of flow and water. The project reiterates the urgent need to engage with sustainable practices given climate change. It also underlines the importance of listening to the indigenous voice on the environment.
The Wai (Maori for water or flow) project uses technology to connect distant spaces and cultures around the theme of water. Water holds significance for Maori of New Zealand Aotearoa, Navajo/Dine in New Mexico and neighboring regions, and is essential to survival. Isleta Pueblo, Navajo/Dine and Maori ceremonies will be performed as part of the dawn opening for the exhibition.
The project is led by Te Huirangi Waikerepuru and curated by Ian Clothier. It will open September 19th at 516 Arts in Albuquerque. A collective of people spanning four countries and many cultures – Aotearoa New Zealand, USA, Australia, India and representatives of indigenous peoples -are presenting an interconnected project. The collective is known as Te Hunga Wai Tapu (the people for whom water is sacred).
Te Kore Rongo Hungaora Uncontainable Second Nature
Te Kore Rongo Hungaora Uncontainable Second Nature was a project of ISEA 2011 Istanbul. A travelling version has since been formed, for exhibition in Rio de Janeiro.
The exhibition crosses cultural and discipline boundaries. The location of five themes from within European and Maori world views, provides a framework with which to construct a cultural bridge between Maori and European of New Zealand. Culture is usually presented separated and distinct; given the intercultural bridge, works from art and science are recontextualised as cultural texts symbolic of belief systems. Discipline is not fixed, but fluid in a transformational environment. In the exhibition, digital and post-digital exist in a state of hybridity.
Curated by Ian Clothier with an advisory panel of Nina Czegledy, Trudy Lane and Tengaruru Wineera, for ISEA 2011 Istanbul. Supported by:
Event: ISEA 2011 UNCONTAINABLE
Venue: Cumhuriyet Art Gallery, Istanbul, Turkey
Dates: September 14th – October 12th, 2011
Exhibition Page: Uncontainable: Second Nature
Related Event: Eco sapiens Round Table
inter / place
The works in the exhibition inter/place present an attempt to come to grips in some way with the notion of multiplicity and a sense of distributed identity. Rather than gather all the artworks up in one area and present them as a selection of works on one theme, the artists taking part in this exhibition have been free to create their own work and explore different exhibition locations for that work. Subsequently none of these works have been placed in the conventional sites for exhibitions in Puke Ariki museum. There is no claim to novelty in this approach but rather the determination that a view based on distributed and multiple identity has been hybridised to the Puke Ariki location.
Puke Ariki – three works in the museum section and one in the library.
Date: December 2 2010 – February 3 2011.
A link to the catalogue is provided below.
Artist and scientist Ramon Guardans traces pollutants and their effect on local and global populations, health and environments and examines the relevance of different ways of life in understanding exposure. He has been involved for 20 years in international action on atmospheric and marine pollution including the Stockholm Convention on Persistent Organic Pollutants (POPs) and the Arctic Monitoring and Assessment Program (AMAP). Ramon was joined by roboticist Kirsty Boyle and environmental engineer and media artist Tega Brain in conducting experiments within the atmospheric environments of New Plymouth, Taranaki during the SCANZ 2011: Eco sapiens creative residency.
The intrepid team is currently undergoing further investigations in Noosa on Australia’s Sunshine coast, as part of the Floating Land event.
Leah Barclay (AU) and Keith Armstrong (AU) (as part of Remnant/Emergency Artlab/SCANZ 2011: Eco sapiens) invite you to an immersive sound walk on the Te Henui Walkway this Wednesday 26th January.
The work invites an acute sensitisation to this place solely through the often ignored senses of sound. The 20 minute experience reveals remnant sonic layers of this environment and explores stories of water, breath, place and environmental action.
‘Remnant Breath’ is the first showing of a work in progress. The project will evolve into an interactive garden of ephemeral sound growing and conversing with the natural environment.
Walks start at either 9pm or 10pm and last around 20 minutes – please arrive on time as it will not be possible to join the walk late.
Enter the Te Henui Walkway from the Lemon Street Entrance (close to Watson Street) – right next to the entrance to the Te Henui Graveyard on Lemon Street.
Presented as part of the SCANZ 2011: Eco sapiens events which have brought over 20 local national and international artists to Taranaki.
View Remnant Breath in a larger map
The failure of nations to reach an agreement at the Climate Change Conference in Copenhagen last year has highlighted a huge gap between scientific consensus and public perceptions of climate change.
Downstream is a media art installation, which explores ways of representing the relationship between nature and culture. Employing poetic texts embedded into animated satellite images of landscapes at particular risk, it responds to the effects of climate change in ways that are mythical, biblical and chemical.
The work involves large screen installations which combine satellite imagery with local imagery and views of river systems threatened by global warming.
Leon Cmielewski and Josephine Starrs are Australian artists whose video and new media works have been shown extensively in Australia and internationally. They have created numerous projects including Seeker an installation that explores issues of migration, territorial boundaries, conflict commodities and human displacement. Seeker won an Award of Distinction in Interactive Art from the 2007 Prix Ars Electronica, Austria. Other work includes a.k.a. a video about universal surveillance, the Trace interactive installation, Bio-Tek Kitchen a computer game patch, Dream Kitchen an interactive stop-motion animation and Floating Territories a game art installation. They have been invited to participate in several international residency programs including Banff, Canada 1998, Sarai, New Delhi, India, 2006 and the Future Lab, Linz, Austria, 2009.
The bar-tailed godwit, the longest non-stop migrator of any species, is dependent on a global network of estuaries or ‘ecotones’, where terrestrial and marine ecosystems meet. These environments are under pressure due to being seen as transitional, unwanted, hybrid spaces. Janine’s project employs information from satellite telemetry and sonification to create a visual and acoustic reconception of the journey of these migratory birds. In this way the installation works to undermine the atomisation of North/South, human/non-human, air, sea and earthly relations.